2008-01-06
2007-09-08
豆瓣上射手座小组里看到的>_< 很准的
1．自由是她最爱，你只是其次，不能给她自由和信任，她早晚会飞越疯人院；
２．讨厌愚蠢的自以为是的虚伪的人．
3． 她喜欢游乐园歌厅娱乐城，在玩乐中尽情享受，不要埋怨她的孩子气，在那快乐中你会感到她的爱恋；
4． 欺骗者死，你可以沉默，她不会问你，但你只要说谎就是死罪，你有一次辩解机会，别把她当傻子；
5． 她是粗心的，但她是女人，只要是女人就是细腻的，她忽略的事情并非不晓得，只是不介意；
6． 不要强求她化妆，射手最崇尚自然，素面朝天同时以真心待人；
7． 不要嫉妒她身边的男人，射手天生异性缘好，但射手向来不喜欢参与三角恋情，相信她你就能获得她的
心；
8． 冷落是对她最大的伤害，你可以跟她辩论也可以跟她比赛，但就是不要冷落她，否则本来就爱自由的她
一定会跑没影儿；
9． 她爱运动这属于天性，如果在出一身热汗后直接对她表白，机会大大的；
10． 要小心她的不稳定性，也许今天说的明天就变卦，让你体验一半儿火焰一半儿海水的感觉；
11． 她怀抱着崇高的理想，不要直接打击她，你可以陪她发发梦，但现实总在催人奋进；
12． 射手最爱旅游，有条件每年旅游两次的话最好，射手对外国风景没有任何抵抗力；
13． 爱情面前人人懵懂，她容易陷入一段爱情却不轻易许诺，她会为自己的承诺加一道枷锁；
14． 射手有逃婚倾向，不要太早求婚，等时机成熟让她感到她能从婚姻中得到更多快乐而非牵绊；
15． 发脾气前请三思，射手绝对不会不讲道理，一哭二闹三上吊大概只有你会死翘翘；
16． 三分钟热度是她们的习性，涉猎很广但不一定精通，不断变化的新鲜感是维持感情的良方；
17． 喜欢动物是天性，眷养宠物要给予它们充分自由，禁止在射手面前虐待宠物；
18． 她喜欢主动和大胆出击，在这方面你可不能落后，否则只会给她看扁；
19． 生命在于运动，即使你不擅长什么也不能扰了她的雅兴，只要放她去玩，她的耐性绝对会在你寂寞之前
回到你身边；
20． 她喜欢给你惊喜，像生命充满谜团，在大街上突然抱住你来个KISS你可千万别惊讶，这是她最擅长的；
21． 她不需要大钻石也不需要毫宅，她需要别人的认可，在她看来信任感就是最大的财富，你能给予这些，一定要做；
22． 不要阻挠她去上班，即使你很可能已经家财万贯，事业支持着她的精神，让她觉得生命的活力；
23． 在看书方面射手有着超乎寻常的品位，千万不要轻易送书给她，先跟她探讨兴趣很明智，通常射手对犯罪、心理、战争、武侠、名著都有兴趣。
24． 人非圣贤一定会犯错，最好的补偿方法是请她吃顿好的或者送些礼物，顺便跟她致歉，如果她说原谅你了就不要废话，没原谅你之前她会给你脸色看，千万不要唧唧歪歪。
25． 射手最不吃回头草，千万不要嫉妒她以前的男友，相信我，她绝不会回头，即使回头也不过是在那段结束的感情上再浇一盆冷水；
26． 射手天生爱憎分明，对感情她不会拖拖拉拉，她也不会等你拖拉，如果你不立刻决定你可能再也见不到她；
27． 她很漠视教条礼规，如果她肯去见你的家人并表现乖巧，那说明她真的很在乎你；
28． 她愿意接受别人的意见，只要你中肯的说出来，不但不会惹毛她，也许还得到一个吻；
29． 没有什么能让她终生喜欢，要博得她长久的芳心你必须懂得该出现和消失的时机，掌握不好就会让她厌烦，多察言观色对你没有坏处，因为她什么都写在脸上；
30． 射手容易心软，但她不会爱上比她弱的男生，让她看到你的力量，但要适可而止；
31． 射手还爱出风头，适时让她表现，或在她表现后夸赞几句，她会对你另眼相看；
32． 在方向上她可能是个白痴，你们出门最好由你带路，至少你要带着地图，如果你也是良牙的话；
33． 大度的人最烦小心眼儿，你的表现不像个男人，下次你就见不到她了；
34． 做事果断坚决最得她欢心，她通常都不考虑后果，适时给她建议指引方向，她就会依赖上你的思想；
35． 射手最大的优点就是宽容和独立，如果你想找个小鸟依人劝你赶快看看别处，她是绝对不会冒充双鱼
的；
36． 射手被人冤枉时最郁闷，被人背叛时最痛苦，你最好不要这样做，否则你家被炸平我可不负责；
37． 她有不少缺点，淘气得让你头疼，但她的可爱你又放不下，不要强迫她去成熟起来，她的单纯自然天成，到中年也能颇得人心；
38． 爱她就大声的讲出来，畏畏缩缩得不到她的爱，只要你主动了一分，她自然会表现两分热忱；
39． 都说射手天生克蝎子，因为阴霾遇到了阳光，如果你想做007侦察她的行踪，小心她发现后把你cancel掉；
40． 她会告诉你她爱你，然后失踪了也说不定，爱上射手只有自求多福，等待的时候你有很多事情可以做来提高自己；
41． 如果有幸你娶到她了，恭喜你，婚后的射手通常会稳重许多，成为同辈尊敬的妇女，她会偶尔想要玩乐，我想满足她并不困难；
42． 不接受她的观点她可能会难过一阵子，最好的办法是给她解释清楚，她乐于接受你的观点和坦诚，下一分钟你就会在别的地方看见快乐的她了；
43． 通常射手信命，但是她们又是不服输的一群，在原则问题上不要与她们争辩，她们很习惯求同存异的生活方式。
2007-09-06
懒人军训回来没有晒黑因为懒人很懒喜欢装病回回得手次次舒坦
懒人回到寝室继续看碟看小说听歌下午睡觉晚上胡闹
懒人又看了遍日落之前喜欢女主角的房子喜欢堆满唱片电影书的家喜欢到处贴着照片到处挂着特别的东西的房子喜欢她把吉他随意放着拿起就弹那么自在
懒人就是这么懒打个标点的力气也舍不得花
2007-08-05
on the way- [游]
因为修山路的缘故，从成都到四姑娘山要坐12个小时的车，虽然很难熬，但一路上窗外的美景真让人心醉．而我呢～就是坐在最后时不时拉开窗户探出头拍照还要大声惊叹一下的小朋友
然后
2007-07-17
如果相爱的结果是互相毁灭- []
Auguste Rodin and Camille Claudel
那些没有把握的，那些一眼看不见未来的，我很着迷，也很害怕
于是我会犹豫 所以我会说:i'm not ready yet
对于现在的我，孤独和自由从来都不是奢望
2007-07-12
Lisa Hannigan Lisa Hannigan Lisa Hannigan Lisa Hannigan Lisa Hannigan Lisa Hannigan
天籁女声的华丽背影
———— 纪念Damien Rice时期的Lisa Hannigan
2007年3月26日，Damien Rice宣布合声Lisa Hannigan正式退出他的团体。现存的成员有Damien Rice, Joel Shearer, Shane Fitzsimons, Tom Osander和Vyvienne Long。对于Lisa来说，这是个好决定，她终于走出自己的音乐道路，独立寻求自我的天地。即便是站在Damien这样的人物背后，也无法掩藏她身上耀眼的光芒。对于Damien来说，这无疑是个巨大的损失。跟很多Damien迷提及此事，他们都不以为意，而我却对此事耿耿于怀。或许我只是在无事伤秋，或许在我眼里少了Lisa的Damien团是不完整的，或许我在感伤《O》成了无法重演的经典。
我不知道为什么Lisa会在Damien事业的巅峰期离开，Damien这个爱尔兰农民不仅仅会种菜，还唱着悲彻华丽的情歌。继《O》掀起了经久不衰的民谣热，他的《9》这张更加自由更加自我的专辑更是受到文艺青年们的一致好评。Lisa跟了Damien十多年，可以说把青春都献给了后者。如今，她开始老去，她却选择离开。
我抱着吉他，开始怀念他们。
“我只想和最爱的人一起生活在一个安静的小镇里。每天早上，我们会一起去买新鲜的面包，然后一起步行回家，吃了早饭以后，我们就一起坐着，听一些好听的音乐。”以前的我总把那个Damien的最爱之人对号入座地当作Lisa，他们的亲密合作总给我这样的错觉。他带她环游世界，然后决定他们共同的音乐道路；《Volcano》里他们对对方吐着暧昧却露骨的词句；她在《Cheers Darlin》里用温暖的语气安抚这个参加心爱者与他人婚礼而大醉的他；甚至她在他《Rootless Trees》爆发到：”f**k you”，仍安静地和着Let me out，如今她转身离开。
《The Blower's Daughter》MV里Damien望着Lisa无法抑制不住流泪，而Lisa不忍回头，只是绝望地看着同样翻腾的大海；而在《9 crimes》MV，Damien看着Lisa的碎片黯然神伤，她似乎是个幻觉，难道这些都预示着他俩的结局？
然后我有哭的冲动。
不是为了他们，只是我太怀念那个只拥有《O》和蓝天的纯净年代了。Lisa不会再来，我的年华同样如此。那个时候，无论在什么场合，他的音乐总能勾起我深层次的悲伤，我可以感知到心在开裂。弦乐四重奏，Lo－Fi精神，渐进式手法，一气呵成的情绪，意识流，温度。无望的深情，急剧的爆发，细语的委婉，浓烈的情感，和通向出口的宣泄，到最后，沉浸在音乐带来的震撼中，失语。很多时候，我站在高高的地方，看着冰冷机械的人群，他的声线传入。这里是一片寂静的平原，DamienRice在荒芜中升起一面旗帜，迎着呼啸的大风，迎着被撕裂的痛楚，飘扬飘扬。
Lisa是Damien生命里的天使吧。她的容貌与嗓音一样，美得令人心醉。都是至情至性的人儿，他们的灵魂在音乐里结合。往往是雄性的嗓音响起，然后Lisa如影随形地出现，顺着大提琴开唱，或是干净纯美的高音，或是神经质般的颤音。
仍期待他们的合作，只是不可能如此亲密。至少《O》不再。
从不怀疑Damien的能力，他的音乐不会因失去Lisa改变什么。只是我看过他在LIVE EARTH 里唱着Lisa的词，显得好单薄好落寞。
为纪念Damien Rice时期的Lisa Hannigan 隆重推出专辑《The Greatest With Damien Rice》
（即便是Damien迷，也不一定听过里面大部分的歌）。
Artist:Lisa Hannigan （主角是其而非Damien)
Album:The Greatest With Damien Rice
Release:2007.7.9
Style:Folk
Label：Novo
（不是真的，请看厂牌）
1.Volcano
Album：O
很投入很尽兴地歌着，天衣无缝，背后Vyvienne Long拨着大提琴的弦为他们打节奏。
Download
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2.Be My husband
Album:Live From the Union Chapel
Lisa翻唱Nina Simon 的歌，上次在Out Of Mind VOl.2里介绍过。
Download
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3.I Remember
Album:O
一半是平静如水，一半是歇斯底里，一半是Lisa，一半是Damien，当狂乱来临，Damien手中的民谣吉他依然不失章法。
Download
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4.Unplayed Piano
Album:Unplayed Piano
从这首歌开始Damien开始使用钢琴。是支持翁山苏姬被释放的活动所做的主题歌。一唱一和，一会是Damien为Lisa合声，一会Lisa为Damien和音，不分你我。这歌伴我走过整个去年夏天。
Download
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5.don't explain 
Album:Possibilities
剔除了一切乐器只剩一架钢琴。Jazz的味道。Herbie Hancock灵活的钢琴烘托着Damien和Lisa忽明忽暗的合声。多听同样是催泪弹。
Download
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6.Silent Night
Album:Blower's Daughter
Lisa改编自圣诞歌。她的音域薄弱却宽广。
Download
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7.Moody Monday
Album:Cannonball
这首歌他俩的声音都变了形。在这里你可以领略Lisa神经质的颤音。
Download
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8.The Blower's Daughter MV
每次听这歌心里总会涌起初听时的激动与低落。Damien 重复着他的句子：“I cant take my eyes off you. I can't take my mind off you.”他孤独地站在草地上。身体是僵硬的。天空是褐色的。风很大。他的表情淡然，眼泪却止不住。Lisa望着海洋的方向，悲伤，痛楚，深情，美丽。她的长发在空中划一道道弧线，如同飞鸟寂寂。普通的木吉他响起，她就顺着委婉的大提琴，唱到：“DidI say that I want to leave it all behind ？”亦是弧线。
Download
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9.9 Crimes MV
他应该走开的。
Download
The Greatest With Damien Rice
Tracklist:
1.Volcano
2.Be My husband
3.I Remember
4.Unplayed Piano
5.don't explain
6.Silent Night
7.Moody Monday
8.The Blower's Daughter MV
9.9 Crimes MV
专辑打包下载：At Mediafire
背景音乐 don't explain 按ESC退出
感谢irinal上传两首歌，感谢没有梦修改表格。
文字均原创，转载请注明出处。
by Novocaine at xialala
The End
2007-07-09
CD- []
因为不知道给男生送啥生日礼物，所以就做了张ＣＤ哈哈哈．．．牺牲了我ＣＲＡＮＢＥＲＲＩＥＳ的ＣＤ盒
２０分钟涂的ＣＤ封面～～～
阴影透视啊啊啊啊啊不要出恶心的题让我顺利过吧．．．
2007-07-07
太喜欢这张画了~~~~~锦里里的一家店
使徒大人的古文已经学到了一种境界
irisQ 23:13:54
寝室跑进会飞的蟑螂
irisQ 23:14:07
吓死我了
神之乐章 23:15:52
蟑螂都是会飞的好好...
神之乐章 23:16:02
人家大多数时候懒得飞而已...
irisQ 23:14:19
那个太机灵了又大个
神之乐章 23:16:34
拖鞋之...
强烈推荐Bjork的 Gling-glo，90年录的爵士专集~冰岛语
唱爵士也满是妖媚气质~
隐约听见了Debut里 human behavior的旋律
何训田的云钟
2007-07-03
maya lin- []
Maya Ying Lin
Maya Ying Lin (born 1959) was an American architect whose two most important works in the 1980s were the Vietnam Veterans' Memorial in Washington, D.C., and the Civil Rights Memorial in Montgomery, Alabama.
Maya Ying Lin was born in 1959 in Athens, Ohio, a manufacturing and agricultural town 75 miles southeast of Columbus. Athens is also the home of Ohio University, where both Lin's mother, a poet, and her late father, a ceramicist, taught. The couple fled China just before the Communist Revolution of 1949, leaving behind a prominent family which had included a well-known lawyer and, perhaps significantly, an architect. Lin's family in America includes her mother and an older brother, Tan, who, like his mother, is a poet.
During her childhood Maya Lin found it easy to keep herself entertained, whether by reading or by building miniature towns. From an early age she excelled in mathematics, which led her toward a career in architecture. While in high school Lin took college level courses and worked at McDonalds. She considered herself a typical mid-westerner in that she grew up with little sense of ethnic identity, but admits to having been somewhat "nerdy," since she didn't date or wear make-up and found it enjoyable to be constantly thinking and solving problems.
After graduating from high school, Lin enrolled at Yale to study architecture. Her best-known work, the design for the Vietnam Veterans' Memorial in Washington, D.C., grew out of a class project during her senior year at Yale. In 1981 her entry was chosen out of a field of 1,421 unlabelled submissions in a design competition which was open to all Americans, not just professional architects. Lin was just 21 years old at the time and admits she worried that her professional life had peaked before it had properly started.
Lin's design, in keeping with the competition criteria of sensitivity to the nearby Lincoln Memorial and Washington Monument, the inclusion of the names of all the dead and missing of the war, and the avoidance of political statements about the war, was simple. She proposed two 200-foot-long polished black granite walls, which plunged ten feet below grade to meet at an obtuse angle of 130 degrees. The two arms were to point to the Lincoln Memorial and Washington Monument and to be inscribed with the names of the approximately 58,000 men and women killed or missing in Vietnam. These names were to be listed chronologically, according to the dates killed or reported missing, instead of alphabetically, so they would read, in Lin's words, "like an epic Greek poem." The memorial was dedicated in November of 1982.
The story of the politics surrounding the choice of Lin's design reads like an epic in itself. For the jury, the choice of her proposal was unanimous. Jury chairman Grady Clay described it as "an eloquent place where the simple setting of earth, sky, and remembered names contains messages" for everyone who will visit. The proposal was generally accepted by veterans, but early on a small but vocal minority of veterans and others appeared who attacked the design as "a tribute to Jane Fonda," a "wailing wall for draft dodgers," and "a black gash of shame." Lin's galvanizing design was perhaps best described by one veteran who likened it to a Rorschach test for what each American thinks of the Vietnam War. Such a description suggests that Lin was successful in her intentions to create "a very psychological memorial … that brings out in people the realization of loss and a cathartic healing process."
Maya Lin cited Edwin Lutyens' Memorial to the Missing of the Somme Offensive at Thiepval, France, of 1927-1932, as an influence on her concept of the Vietnam Memorial. This huge, abstract geometric form consists of a central arch flanked by two barrel-vaulted tunnels on which over 70,000 names are inscribed. In addition to Lutyens, Lin has expressed interest in the works of Minimalist artists Dan Flavin, Robert Irwin, and James Turrell, who all experimented with light as an art medium and were pioneers in the anti-object, anti-gallery movement of the 1960s. Turrell's definition of art as a "part of the realm of experience," where each viewer bears responsibility for finding meaning in a work and where each viewer's reaction becomes part of the work itself, could equally be applied to Lin's memorial, with its lack of traditional forms and highly polished black granite surface, which reflects each visitor's unique response to the memorial.
After the Vietnam Memorial project, Lin returned to Yale for a Master's degree. Her later projects included designs for a Philadelphia stage set; a corporate logo; an outdoor gathering place at Juniata College in Huntington, Pennsylvania; a park near the Charlotte, North Carolina, coliseum; and a ceiling for the Long Island Railroad section of Pennsylvania Station. In addition, her lead and glass sculptures have been exhibited at New York's Sidney Janis Gallery.
Maya Lin's second nationally recognized project was the design of the Civil Rights Memorial in Montgomery, Alabama, commissioned by the Southern Poverty Law Center. Lin's conception of the memorial grew out of her admiration of a line in Martin Luther King's "I have a dream" speech, which proclaims that the struggle for civil rights will not be complete "until justice rolls down like water and righteousness like a mighty stream." Water, along with this key phrase from the King years, became her theme. King's words stand out boldly on a convex, water-covered wall which overlooks an inverted cone-shaped table with an off-center base. The surface of this table is inscribed with the names of 40 who died in the struggle for civil rights between 1955 and 1968, as well as with landmark events of the period. This element is also bathed in a film of moving water, which serves to involve the viewer sensually - through sound, touch, and the sight of his or her reflection - while the words engage the intellect.
The two geometric elements of the Civil Rights Memorial, although Minimalist in nature, are not completely devoid of symbolic meaning. Lin has noted that the asymmetrical, cone-shaped table looks different from every angle, a quality which implies equality without sameness - an appropriate sentiment in a memorial to civil rights. Lin says this memorial will be her last and notes that she began and ended the 1980s with memorial projects. She feels fortunate and satisfied to have had the opportunity.
In 1993, Lin created a sculptural landscape work called Groundswell at Ohio State University - a three level garden of crushed green glass. The glass used in the effort reveal Lin's environmentalist nature. Lin remains an active sculptor and architect. In 1997 she began work on a 20,000 square foot recycling plant. Lin currently lives in Vermont. She stays out of the public eye as much as possible. Still, so much of her work is so public and so innovative that publicity is hard to avoid.
Further Reading
While information on the Vietnam Memorial and the controversy surrounding it is legion, Maya Lin's career is young, and thus there is no mass of critical research dealing with her specifically. Most useful in piecing her story together were Jan Scruggs' and Joel Swerdlow's book To Heal a Nation (1985), which briefly discusses Lin and her views, and an article in Time magazine by Jonathan Coleman ("First She Looked Inward," November 6, 1989). On the Vietnam Memorial see Elizabeth Hess, "A Tale of Two Memorials," Art in America (April 1983); Arthur Danto, "The Vietnam Veterans' Memorial," The Nation (August 31, 1985); and Michael Sorkin, "What Happens When a Woman Designs a War Monument?," Vogue (May 1983). On the Civil Rights Memorial see "Civil Rights Memorial Dedicated," in Art in America (December 1989) and David Grogan and Linda Kramer, "Maya Lin Lets Healing Waters Flow Over Her Civil Rights Memorial," People Weekly (November 20, 1989). To read about Lin's current project, the article "The Fifty" appears in Time (December 5, 1994).
林徽因和林璎是两姑侄，林徽因参与设计了北京的人民英雄纪念碑，林璎设计了华盛顿的越战纪念碑。
2007-07-02
Fuck You ,GFW- []
封锁wiki封锁flickr下一个是不是youtube?
GFW凭什么权利剥夺公众获取信息的权利？
问flickr，他们的服务没有问题，告GFW？神秘的部门又在哪里？
2007-06-30
吸管椅子- []
很有海水的感觉。深蓝色的吸管里掺白色的吸管
（受不了。。。还有一颗美人痔哈哈哈）
作品介绍：The idea of using drinking straws as a material to design useable objects came from the challenge given by Mr. Kurosaki in IDEE Cafe, when he asked Tal Gur to do something “not from plastic, maybe from straw".
The first inclination was to draw on an ancient local tradition of broom making using natural straw as material. When this proved to be complicated to achieve, an original solution presented itself by coming back to plastic - in switching to other straws, the drinking straws. The Sturdy Straws is a whimsical project, in which the fragile drinking straws transform into sturdy usable objects, their colors coming from the colors of the drinking straws. The fragile material transformed into cheerful and solid furniture proves the saying that big numbers have power. This series includes chairs, stools, lampshades and partition building "bricks". A brick consists of 750 straws and its shape resembles the pre-cast building blocks that were made in the Mediterranean region; a chair consists of 15,000 straws, a lamp of 300 straws.
from Tal Gur
今天在书店翻书时发现的吸管椅子，好神奇。很像大D的界面设计。椅子侧面很有像素画的感觉
做法是先把他们累到一个模具里，然后局部加热让塑料熔化互相粘贴，就很结实了！
好象自己做个但怎么局部加热不烧了还是个问题
今日网站推荐 http://mocoloco.com/
2007-06-26
交图了- []
昨天终于交图了~~~毫无悬念的熬了一个通宵
这次正图的总平用了彩铅表现~~我爱死彩铅了，特别是在特殊质地的纸上会有类似荧光的效果，好神奇
我的教材 石头的图HIAHIAHIA收益颇丰啊~~~~~！神奇的荧光效果
2007-06-25
不完全的自由人- []
康泰斯太过敬佩神甫，他在想“如果您是自由人，会做出多少惊天动地的事呢？”
而神甫回答：“也许一事无成。我充沛的脑力会变成无用的东西散发掉。必须遇到患难才能挖掘某些深藏在人的智力中的神秘矿藏；必须要有压力才能使火药爆炸。囚禁生活把我漂浮在这里那里的所有才能都集中在一点上；这些才能在一个狭窄的空间相碰撞；您知道，云相撞产生电，电生闪，闪生光。”
康泰斯请求神甫教育他。要学会神甫的所有知识。神甫回答：“（两年）。应用不行；掌握原理可以，学懂不等于了如指掌；一知半解的人和学者不可同日而语；记忆造就前者，哲学造就后者。”
而神甫回答：“也许一事无成。我充沛的脑力会变成无用的东西散发掉。必须遇到患难才能挖掘某些深藏在人的智力中的神秘矿藏；必须要有压力才能使火药爆炸。囚禁生活把我漂浮在这里那里的所有才能都集中在一点上；这些才能在一个狭窄的空间相碰撞；您知道，云相撞产生电，电生闪，闪生光。”
康泰斯请求神甫教育他。要学会神甫的所有知识。神甫回答：“（两年）。应用不行；掌握原理可以，学懂不等于了如指掌；一知半解的人和学者不可同日而语；记忆造就前者，哲学造就后者。”
2007-05-27
下月买吉他- []
地球人都爱
现在的桌面
You say yes, I say no
You say stop and I say go, go, go
You say goodbye and I say hello
2007-05-23
小傻瓜中暑了- []
从昨天开始心情郁闷没有力气没有食欲不想看书胡乱画渲染只想哭
今天早晨肚子痛然后又心情郁闷没有力气没有食欲不想看书不想画画哭了一小下
想杭州想妈妈想爸爸想弟弟想妹妹还有可爱的团团小左小鸡还有西湖南山路家旁边运河公园里的小狗￥%·￥%￥%……—U* Q_Q
还好有同室的小朋友们安慰我，谢谢你们
每次都是你们安慰我，我真的好喜欢你们
2007-05-17
熊猫就是这样养成的- []
熬夜的时候，是TAJIMA在白卡上划裂的声音
熬夜的时候，是和剽悍的绵羊用短信互相鼓励
熬夜的时候，是不知道时间是怎样一分一秒的过去
昨天做了建构模型，写基地环境分析报告，勤工俭学，网络部开会。。。熬夜睡了四小时又顽强地起床去专教
但是想来还是比剽悍的绵羊（Elwin）同学好一点，此人在重大专教通宵做模型，然后以他的绵羊速度，不知道通宵之后模型完工了否，此点待考
于是我们就互相鼓励。。。然后在2：30AM的时候同时肚子饿。。。
建构模型和草模
考察基地时看见的，打点滴的树
2007-05-14
这样解释- []
童年期的性游戏与智商有关。金赛调查数据表明，女性中曾对肉体刺激产生过可辨认的性反应的比例，在3岁时约1％；到5岁时约4％；累计结果为：约有27％的女性回忆起自己在青春期之前曾产生过性唤起。关于童年的性游戏，全体女性中有15％只有过同异性的性游戏；18％只有过同性性游戏；两者兼而有之的占15％；三种人相加共占女性的48％。双变量分析表明，童年性游戏的发生率与教育程度有关：在高中程度的女性中占约24%；在大学程度的女性中占30%；在研究生女性中占36％。（金赛，第19一23页）由此可见，即使在学龄前儿童中，性的感觉也确实存在，而且并非个别现象。做过性游戏的更达到将近一半。从性游戏发生率与教育程度的关系可以推论出，性活动方面的活跃程度与智商成正比——越聪明的孩子在性活动方面越活跃。
小时候的不好意思说的。。。但又记忆深刻的种种。。就是这样解释 越聪明的孩子在性活动方面越活跃
2007-04-26
know how- []
在专教一边做设计一边听know how 一不小心高中的记忆又一次浮现
高三时某段时间一直在听的歌，变成了现在和过去的纽带
Feist，眼镜兄左边那位的女友，knowhow,the build up里的female vocal,她的音乐历程要比这两个小毛孩丰富的多
她的性感声线真让我着迷 YOUTUBE上还有许多资源
~~
mushaboom(听这首歌我心情就会无敌好还会扭来扭去哈哈哈哈，做过Lacoste的广告音乐)
Helping the kids out of their coats
Oh wait the babies haven't been born oh
Unpacking the bags and setting up
And planting lilacs and buttercups oh
But in the meantime we've got it hard
Second floor living without a yard
It may be years until the day
My dreams will match up with my pay
Old dirt road,
(mushaboom, mushaboom)
knee deep snow
(mushaboom, mushaboom)
Watching the fire as we grow
(mushaboom, mushaboom)
o-o-o-o-old
I got a man to stick it out
And make a home from a rented house oh
And we'll collect the moments one by one
I guess that's how the future's done oh
How many acres, how much light
Tucked in the woods and out of sight
Talk to the neighbours and tip my cap
On a little road barely on the map
Old dirt road,
mushaboom, mushaboom)
knee deep snow
mushaboom, mushaboom)
Watching the fire as we grow,
mushaboom, mushaboom)
o-o-o-o-old
(mushaboom, mushaboom)
Old dirt road rambling rose
(mushaboom, mushaboom)
Watching the fire as we grow
(mushaboom, mushaboom)
Well I'm Sold...
http://www.allthingsfeist.com/
-------------心情大变分割线------------------------
我要很特别，不能特别的设计会让我很苦恼，很抓狂....发发发发发克啊
2007-04-22
蓝色大门- []
“小士，看着你的花衬衫飘远，我在想一年后，三年后，五年后，我们会变成什么样子呢？由于你善良，开朗又自在，你应该会更帅吧，于是，我似乎看你站在蓝色大门前，下午三点的阳光，你脸上仍有几颗青春痘，你笑着，我跑向你，问你好不好，你点点头，三年，五年以后，甚至更远以后，是体育老师，还是我妈，虽然我闭上眼睛仍看不见自己，但却可以看到你。 ”
2007-04-17
忍住不看爱情片... 一看就伤心
“eternal sunshine of the spotless mind”
“未料到我所失的，竟已是我的所有”
这版海报好漂亮
2007-04-17
Fly me to the moon
And let me play among the stars
Let me see what Spring is like
On Jupiter and Mars
In other words,hold my hand!
In other words,darling,kiss me!
Fill my heart with song
And let me sing forevermore
You are all I long for
All I worship and adore
In other words,please be true!
In other words,I love you!
初中开始喜欢的，现在成了每天都要唱的歌
Fly me to the moon
第一次听的是宇多田光的版本，wait&see专集
之后又听了Nat King Cole,Frank Sinatra,Diana Krall等无数版本
最近一次听是中澳音乐周上 基督兄弟学校爵士乐队的演奏版
欲罢不能
等有空了~我也录下放上来哈哈
2007-04-15
多点时间多点爱心多点自我- []
那部片子真是无敌闷片，还顺带浪费了WCX两个小时的时间，真是不好意思
建筑一班有趣的男生真的很多，有趣的女生还真是不多，所以我还是爱和男生混在一起
接下来要做的事
画设计表达图
排音乐剧
多看电影
好好学英语
接T恤设计的活
做阴影透视。。。
学生会网站工作无限期延后
IPOD坏掉了完全没有响应，虽然以前曾经死而复生过，但这次休克的时间也太长了吧。。。极有可能已经报废虽然3年来我都没有好好爱护你，但是我还是对你很有感情，归来吧~~归来呦~~
2007-04-14
当support staff- []
上个星期周末一直在中澳音乐节上当老外的助理（跑腿照相翻译。。。）
不过还是挺好玩的~~~认识了可爱的shannon
有时间再放照片~！今天要去川大看电影，来不及了~~~~走拉~
为什么图片会自动拉长？？？奇怪，回来再解决
